Price Essay Picturesque

Price Essay Picturesque-83
These two inflections of picturesque already existed in English usage, but to make them clearer, translations of Wölfflin since 1932 have rendered the more complex use of qualities of architecture and urbanism as ‘picturesque’.

These two inflections of picturesque already existed in English usage, but to make them clearer, translations of Wölfflin since 1932 have rendered the more complex use of qualities of architecture and urbanism as ‘picturesque’.

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Rather, we aim to open the more general issue of the value in recognising the consequences of the necessary imperfections of translation.

Picturesque is a term which owes part of its historical success to its ambiguity, signifying both an origin of subjectivist aesthetics and a popular naïve taste for the rustic.

For historians of art and architecture this ambiguity is ramified by an issue of translation between ‘picturesque’ and its usual equivalent in German, by contrasting it with the belief of naïve observers that picturesqueness was a property of objects.

‘Picturesque’ is one of those concepts which owe part of their success to their ambiguity.

In English, picturesqueness can indicate that something has the qualities of a picture or describe a thing that is suited to being painted.

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