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Another play on words, nunnery, in this instance, symbolizes both sexual abstinence and sexual perversity. Or perhaps his own portrayal of madness — his "antic disposition" — that he dons like a mask or a costume actually drives him. Or is his flaw that he believes he is pretending to be mad? Or could his tragic flaw be that he possesses the same hubris that kills all the great tragic heroes — that be believes he can decide who should live and who should die, who should be forgiven and who should be punished?In a cloister, Ophelia would take a vow of chastity, and in a brothel, she would serve as the basest sexual object. Then, perhaps, is the ghost a manifestation of his own conscience and not a real presence at all?Though tragedies had been written in English prior to Shakespeare, most notably, Christopher Marlowe, Thomas Kid, Gorge Peele and Robert Greene, it was Shakespeare who gave it its distinguishing features. Shakespeare's tragedy depicts the operation of tragic flaw in hero's character.
But Shakespeare's tragedy is the tragedy of character.
A 'tragic flaw' is a literary term that refers to a personality trait of the protagonist that leads to his or her downfall due to the personal defect of character.
Hamlet fulfills the Aristotelian requirement that the tragic hero invoke in us a deep sense of pity and fear, that we learn from him how not to conduct our lives.
Hamlet is our hero because he is, as we are, at once both confused and enticed by endless dilemmas that come from being, after all, merely human.
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According to Aristotle, "Aman cannot become a hero until he can see the root of his own downfall."3 It should be noted that the hero's downfall is his own fault as a result of his own free will, but his misfortune is not wholly deserved.
Shakespearean tragedy is primarily the story of one tragic hero.
The word 'tragic flaw' is taken from the Greek concept of Hamartia used by Greek philosopher Aristotle in his Poetics.1 Hamartia leads eventually to the downfall of the main character due to his misjudgment or ignorance but not due to the action of the protagonist.
Tragic flaw is first seen in an Athenian tragedy Oedipus the King or Oedipus Rex2 by Sophocles, which was performed in 429 BC.