Tags: Essay TestWebsites That Write PapersLund University Master ThesisSegregation Essay PapersNuclear Weapons Term PaperEssay Writing NotesEssay On Importance Of English Communication SkillsResearch Proposal Apa FormatTopics For Example Essays
Kahlo instead paints her own story, as though she becomes saintly and the work is made not as thanks to the lord but in defiance, questioning why he brings her pain.In this painting, Kahlo lies on a bed, bleeding after a miscarriage.
At the time that Kahlo painted this work, her mother had just died so it seems reasonable to assume that the shrouded funerary figure is her mother while the baby is Kahlo herself (the title supports this reading).
However, Kahlo had also just lost her own child and has said that she is the covered mother figure.
Kahlo completed this work to accentuate both her European Jewish heritage and her Mexican background.
Her paternal side, German Jewish, occupies the right side of the composition symbolized by the sea (acknowledging her father's voyage to get to Mexico), while her maternal side of Mexican descent is represented on the left by a map faintly outlining the topography of Mexico.
While Kahlo's paintings are assertively autobiographical, she often used them to communicate transgressive or political messages: this painting was completed shortly after Adolf Hitler passed the Nuremberg laws banning interracial marriage.
Here, Kahlo simultaneously affirms her mixed heritage to confront Nazi ideology, using a format - the genealogical chart - employed by the Nazi party to determine racial purity.
The positioning of the figures echoes that of traditional marital portraiture where the wife is placed on her husband's left to indicate her lesser moral status as a woman.
In a drawing made the following year called Frida and the Miscarriage, the artist does hold her own palette, as though the experience of losing a fetus and not being able to create a baby shifts her determination wholly to the creation of art.
Whilst Rivera holds a palette and paint brushes, symbolic of his artistic mastery, Kahlo limits her role to his wife by presenting herself slight in frame and without her artistic accoutrements.
Kahlo furthermore dresses in costume typical of the Mexican woman, or "La Mexicana," wearing a traditional red shawl known as the rebozo and jade Aztec beads.